Carnatic / South Indian Classical Music

Carnatic music is the great classical music art form of South India. With its ancient origins, it is the oldest musical form that is still in practice. It is also spelled Karnatak music or Karnatik music ( Karnataka sangitam in India) which is one of the two styles of Indian classical music, the other being Hindustani music.

Its classical tradition is from the southern part of the Indian subcontinent, and its area roughly corresponds to the four modern Indian states; Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu.

In Carnatic music, the main emphasis is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style.

Carnatic music is practised and presented today by musicians in concerts or recordings, either vocally or through instruments. Carnatic music itself developed around musical works or compositions of phenomenal composers.

Like all art forms in Indian culture, Carnatic music is believed to have a divine origin - it is believed to have input from the Devas and Devis. However, it is also generally accepted that the natural origins of music were an important factor in the development of Carnatic music. Ancient treatises describe the connection of the origin of the swaras, or notes, to the sounds of animals and birds, and man's keen sense of observation and perception that tried simulating these sounds - after hearing and distinguishing between the different sounds that emanated from bamboo reed when air passes through its hollows, man designed the first flute. In this way, music is venerated as an aspect of the supreme (nāda brāhmam). Folk music is also said to have been a natural origin of Carnatic music, with many folk tunes corresponding to certain Carnatic ragas.

The Vedas are generally accepted as the main probable source of Indian music. The Sama Veda is said to have laid the foundation for Indian music, and consists mainly of hymns of Rigveda, set to musical tunes which would be sung using three to seven musical notes during Vedic sacrifices. The Yajur-Veda, which mainly consists of sacrificial formulae, mentions the veena as an accompaniment to vocal recitations during the sacrifices.